I. Literature and Psychology by Leon Edel:
1. One of the listed personalities is incorrect: Erik Erikson wrote on "crises of identity" focusing religious and political figures: A. Luther B.Gandhi C. Hitler D. Peter the Great.
2. A striking adaptation to criticism of Jung's ideas is to be found in the critical writings of Northrop Frye, notable in his: A. Archetypal Patterns in Poetry B. Anatomy of Criticism C. Literature and Symbols D. Archetypal Criticism of Myth.
3. Raskolnikov is the protagonist of: A. Tolstoy's Anna Kerenin B. Dostoevsky's Crime and punishment C. Pushkin's Boris Godunov D. Gogol's Dead Souls.
4. One of the following contributions is not correct: psychoanalysis has contributed important aids to three facets of literary study: A. to criticism itself B. to the study of the creative process C. to the writing of autobiography D. to the writing of the biography.
5. Thomas Mann acknowledged in 1936 his debt to Freud in an essay entitled: A. Freud and the Subjective Novel B. Freud and the Inner Vision C. Freud and the Future D. Freud and Literary Criticism.
6. The protagonist in Dorothy M. Richardson's novel Pilgrimage is a woman named: A. Miriam Henderson B. Marcel Proust C. Virginia Woolf D. Maud Bodkin.
7. The founder of surrealism came under Freud's influence during the First World War: A. C. J. Young B. Andre Breton C.
Ernest Jones D. Henry Bergson.
8. Leon Edel in his essay tries to argue: A. that psychoanalysis forms the basis of all critical approaches B. that psychology can and should be applied in the analysis of every artistic work C. that psychology contributes only to the writing of biography D. that psychology and literature stand upon the same ground.
9. The year ... saw the publication of Sigmund Freud's The Interpretation of Dreams: A. 1900 B. 1901 C. 1902 D. 1903.

10. Man's observation of his inner self and his emotion is as old as: A. Seneca B. Rousseau C. Goethe D. Aristotle.

II. The Art of Translation by Horst Frenz:

11. One of the remarkable translations of Cervantes's Don Quixote was achieved by: A. Rex Warner B. H. D. P. Lee C. Samuel Johnson D. John Butt.
12. One of the following translators did not translate The Odyssey: A. W. H. D. Rouse B. Christopher Isherwood C. E. V. Rieu D. T. E. Laurence.
13. Dorothy Sayers uses the original ... for her translation of Dante's Divine Comedy: A. terza rima B. blank verse C. heroic couplet D. heroic quatrains.

14. ... discussed the translation of the poetic form: A. T. S. Eliot B. William Carlos Williams C. Emily Dickenson D. Edna St. Vincent Millay.
15. The American war play What Price Glory? Was written by: A. Eugene O'Neill B. Thoronton Wilder C. Maxwell Anderson and Laurence Stallings D. Carl Zuckmayer.
16. ... is known more for his translation of Goethe's Faust than for his own writings: A. Anna Swanwick B. Bayard Taylor C. Edward FitzGerald D. Charles Eliot Norton.
17. Schlegel was the disciple of a great poet, Goethe, and the representative of an important movement, ... : A. romanticism B. classicism C. impressionism D. expressionism.
18. The German Shakespeare translation commonly referred to as the Schlegel-Tieck translation was between the years: A. 1799 and 1812 B. 1798 and 1811 C. 1797 and 1810 D. 1796 and 1809.
19. Through the art of translation many of the literary achievements of one country have become " ..." in other countries: A. known B. naturalized C. spread D. well known.
20. The main point of Horst Frenz in this article is: A. to examine problems of translation emphasizing that translating should be considered an art in itself B. to consider certain translations in foreign languages and evaluate them from a literary viewpoint C. to stress the point that a student of comparative literature should be acquainted with a number of foreign languages D. to increase the attention towards the problems that face the general translator.

III. Literary Indebtedness and Comparative Literary Studies by J. T. Shaw:

21. ... have often been used as a pedagogic device in an artist's development: A. Adaptations B. Translations C. Slylizations D. Imitations.
22. ... , the writer helps himself to materials or methods, especially to aphorisms, images, figures of speech, motifs, plot elements: A. In the case of translation B. In the case of imitation C. In the case of borrowings D. In the case of stylization.
23. Lermontov was obviously influenced by: A. Shakespeare's plays B. Byronic traditions in Russia C. Schiller's works D. Aristotle's ideas.
24. The source of Pushkin's Boris Godunov is: A. Lermontov's Demon B. Vigny's Eloa C. Karamzin's History D. Byron's romantic verses.
25. The selection of a work for translation is likely to reflect what... has called the elective affinity of the translator for the work. A. Shaw B. Professor Poggioli C. Professor Zhirmunsky D. Byron.
26. One of the following literary terms was not discussed by Shaw: A. adaptation B. translation C. imitation D. influence.
27. English, German, and Italian literatures were known to Russian cultivated society in the eighteenth and nineteenth centuries largely through: A. Russian translations B. English translations C. Italian translations D. French translations.
28. Literary studies should account for such relationships as those between: A. Don Quixote and the plays of Shakespeare B. Don Quixote and the poetry of Milton C. Don Quixote and the Dialogues of Plato D. Don Quixote and the novels of Henry Fielding.
29. Certain influence studies try to know how Shakespeare transmutes materials taken from: A. Boccaccio and Holinshed B. Dante and Petrarch C. Sophocles and Homer D. Jonson and Marlowe.
30. The main purpose of J. T. Shaw in this chapter is: A. to study literary influence and literary indebtedness B. to study Anglo-Russian literary relations C. to speculate about the debt which many authors owe to their English predecessors D. to develop certain technique for research on literary influence.

IV. On Defining Terms by Edward Seeber:

31. According to Seeber, literary terms must be weighed against the background of: A. critical analysis B. historical interpretation
C. psychological theories D. comparative outlooks.
32. Seeber considers in his essay certain problems of: A. criticism B. history C. psychology D. terminology.
33. The ... century, with its striking new patterns of literature, is the crowning point of the melancholy genre: A. seventeenth B. eighteenth C. nineteenth D. twentieth.
34. The term "mal du siecle" was properly associated with: A. classic rules B. symbolic diseases C. sentimental characterization
D. romantic sensibilities.
35. Robert Burton published his Anatomy of Melancholy in ... : A. 1721 B. 1621 C. 1821 D. 1655.
36. The Gothic can be found in works such as: A. Shakespeare's sonnets B. the Faerie Queene C the Waste Land D. the Iliad.
37. "Virtue" and "natural goodness" are two examples of the terms that may mean different things to the writer using them. These two terms are so common in the writings of: A. Rousseau B. Rabelais C. Pascal D. Balzac.
38. The Italian term "melodrama" connotes something equal to: A. drama in music B. English drama C. French drama D. sentimental comedy.
39. In his "Essay on Criticism",... equated nature with common sense, reason, the universal and classical values: A. John Dryden B. Samuel Johnson C. Ben Johnson D. Alexander Pope.
40. The term ... commonly meant: archaic, uncouth, ugly, even formidable is the adjective: A. Germanic B. Gaelic C. Celtic D. Gothic.
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V. Comparative Literature: Its Definition and Function by Henry Remak:

41. The essay that appeared in the Yearbook 1960, "Comparative Literature at the Crossroads" was written by A. Rene Wellek B. Henry Gifford C. Henry Remak D. Harry Levin.
42. Nouvelle Heloise is a work written by: A. Van Tieghem B. Richardson C. Rousseau D. Maupassant.
43. While " ... " courses and publications may afford an excellent basis for comparative studies, they are not necessarily comparative in themselves: A. world literature B. general literature C. international literature D. critical literature.
44. Courses devoted to the analysis of literary masterpieces from various countries mostly read in translation are designated by the term: A. comparative literature B. world literature C. general literature D. national literature.
45. Tracing a character in a novel by Henry James would be comparative if it developed a methodical view of this character in the light of the psychological theories of: A. Freud B. Marx C. Coleridge D. Darwin.
46. Despite academic compartmentalization, comparative literature has been able to occupy an important place in: A. French universities B. American universities C. British universities D. Italian universities.
47. These works and authors are eminently comparable regardless of whether or how much the one influenced the other: A. Moby Dick and Heart of Darkness B. Faust and Hard Times C. Thomas Mann and Marlowe D. Balzac and Dickens.
48. Influence studies contribute to our: A. understanding of literary criticism B. studying literary genres C. tracing the history of
the theatre D. knowledge of literary history, creative process and of the literary work of art.
49. According to Remak, the French comparatists favour questions: A. which can be solved on a metaphysical basis B. taken directly from the domain of literary criticism C. related to influence studies and the location of sources D. which belong to arts, philosophy, history.
50. Professor Remak turns his attention in his essay to: A. defining comparative methods and approaches B. investigating the differences between comparative literature and other kinds of literature C. fixing the objectives and defining the scope of comparative literature D. exploring the backgrounds of the French and American schools.