fllower of the days,
can you clarify??????????????????
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| الكاتب: | fllower of the days [ الأحد يناير 04, 2009 5:30 pm ] |
| عنوان المشاركة: | Important |
the most important Novels of American literature fOR WHOM THE BELL TOLLS..ERNEST HEMINGWAY THE ADVENTURE...MARCK TWIN DEATH OF A SALESMAN..ARTHUR MILLUR BLACK BOY..RICHARD RIGHT There other allso.....g |
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| الكاتب: | Safwat [ الأحد يناير 04, 2009 6:07 pm ] |
| عنوان المشاركة: | Important |
fllower of the days, can you clarify??????????????????
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| الكاتب: | fllower of the days [ الاثنين يناير 05, 2009 7:36 pm ] |
| عنوان المشاركة: | Important |
I mean these novels,are so important to graduate studies,that are belong to modern temper of American literature,for exemple thanks to the famous poet T.S ELIOT and EZRA POUND American literature recognized what they called Free VERS. I hope this is small clarify. |
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| الكاتب: | Safwat [ الثلاثاء يناير 06, 2009 8:50 am ] |
| عنوان المشاركة: | Important |
fllower of the days, ok you can put them here to ask or to talk greeting, |
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| الكاتب: | fllower of the days [ الأربعاء فبراير 04, 2009 5:39 pm ] |
| عنوان المشاركة: | Important |
Hello I AM SO SORRY I DIDN T REPLY BECAUSE I AM PREPARING MY SELF FOR OUR EXCAM............................SO...I CAN GIVE YOU THE FIRST POEM IN MODERN TEMPER.........WASTE LAND T.S ELIOT I PREFER THE SECOND PART III. The Fire Sermon [[The river's tent is broken; the last fingers of leaf Clutch and sink into the wet bank. The wind Crosses the brown land, unheard. The nymphs are departed. Sweet Thames, run softly, till I end my song. 176 The river bears no empty bottles, sandwich papers, Silk handkerchiefs, cardboard boxes, cigarette ends Or other testimony of summer nights. The nymphs are departed. And their friends, the loitering heirs of City directors; Departed, have left no addresses. By the waters of Leman I sat down and wept ... Sweet Thames, run softly till I end my song, Sweet Thames, run softly, for I speak not loud or long. But at my back in a cold blast I hear The rattle of the bones, and chuckle spread from ear to ear. A rat crept softly through the vegetation Dragging its slimy belly on the bank While I was fishing in the dull canal On a winter evening round behind the gashouse Musing upon the king my brother's wreck And on the king my father's death before him. 192 White bodies naked on the low damp ground And bones cast in a little low dry garret, Rattled by the rat's foot only, year to year. But at my back from time to time I hear 196 The sound of horns and motors, which shall bring 197 Sweeney to Mrs. Porter in the spring. O the moon shone bright on Mrs. Porter 199 And on her daughter They wash their feet in soda water Structure The epigraph and dedication to The Waste Land showing some of the languages that Eliot used in the poem: Latin, Greek, English and Italian. The poem is preceded by a Latin and Greek epigraph from The Satyricon of Petronius. In English, it reads: "I saw with my own eyes the Sibyl at Cumae hanging in a jar, and when the boys said to her, Sibyl, what do you want? she replied I want to die." The Waste Land" as example of a Modernist Text T. S. Eliot's "The Waste Land" is a foundational text of modernism, representing the moment at which imagism moves into modernism proper. Broken, fragmented and seemingly unrelated slices of imagery come together to form a disjunctive anti-narrative. The motif of sight and vision is as central to the poem as it is to modernism. The reader is thrown into confusion, unable to see anything bar a heap of broken images. The narrator, however (in "The Waste Land" as in other texts), promises to show the reader a different meaning: that is, how to make meaning from dislocation and fragmentation. This construction of an exclusive meaning is essential to modernism. THIS WHAT WE ARE STUDING UP TO NOW AND I WILL GIVE YOU A VIEW ABOUT fOR WHOM THE BELL TOLLS..ERNEST HEMINGWAY |
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